The three levels of graffiti lettering
- Tag — a fast, single-color signature; all about flow and hand style.
- Throw-up — bubble letters with an outline and quick fill; fast but bold.
- Wildstyle — complex, interlocking, hard-to-read letters with arrows and connections; the advanced form.
Start simple and build up — even pros sketch a clean structure before going wild.
1. Start with the skeleton
On a sketch layer, write your word in a simple block or single-line skeleton. This underlying structure keeps letters readable and correctly proportioned no matter how stylized they get. Keep letter spacing even.
2. Build the letter shapes
Thicken the skeleton into full letterforms — bubble (rounded) for throw-ups, or angular blocks for wildstyle. Work on a new layer over the skeleton. Use QuickShape for clean arcs and a crisp liner for outlines.
3. Add connections and arrows
Wildstyle's signature is letters that interlock — extensions, bars and arrows linking one letter to the next. Add these gradually, keeping the eye flowing left to right. Don't overdo it; readability still matters.
4. Outline cleanly
Ink a clean outline around the whole letterform, then add a second outer outline (the force field) in a contrasting color to make the piece pop. Keep outline layers separate so you can recolor.
5. Add 3D depth
Give the letters a 3D extrusion: a solid shape behind the letters, offset in one direction, as their depth/shadow. Consistent direction across all letters sells the effect.
6. Fill and color
Block fills with a spray or flat brush below the outline. A gradient fill and highlights give the classic graffiti shine — see the full graffiti workflow for fills, drips and overspray. Spray brushes are under the graffiti tag.
Calligraffiti and hand styles
If you're drawn to the lettering side, the same hand-style flow connects to brush lettering — see how to do hand lettering in Procreate and the lettering category.
Brushes and next steps
Draw graffiti letters with free liners and sprays from the graffiti tag, inking and free brushsets. Then mock the piece onto a real wall.